Thoughts & Musings

Letters I Wish I Had Gotten From My Future Self When I Was 5/10/15, Etc.

Sometimes I wonder how creepy and cool it would be to get letters from my future self.

Imagine it: you’re on your way to air out your mailbox (or face the depressing stack of bills and junk mail sitting in the void, since no one really writes letters anymore.) You open it, and there is a mysteriously addressed letter from a place called “The Future.” By a future version of you. I’m sure deep in my memory there exists a science-fiction film based on this scenario, but on a sincere level I would’ve welcomed a bit of guidance from my future self, especially over bumpy parts of my past. (Or maybe I would’ve freaked out and given myself a nervous breakdown — you never know.) Anyway, just as a weird little exercise, I imagined what my present self would’ve sent back to past mes at different ages. Other than werewolf skaters and first love, this is what’s on my mind lately — trying to get the pieces of my past to connect with what’s out there in the future, making the span of time feel continuous and meaningful.

Dear 5-Year-Old Me,

Congratulations on your first library card! You’re going to check out these books all the time: D’Aulaire’s Mythology, some novel about a Midwestern prairie settler girl and her favorite corn doll (told from the point-of-the-view of the doll, GOD I wish I could remember the name of this book, it had a purple library binding cover) and random issues of Mademoiselle, even though you have no clue what they are talking about. Pay attention to this mix, because it’s going to be the key to your imagination when you start writing. You’ll get a toy typewriter for Christmas and you’ll read the Peanuts and think typing “It was a dark and stormy night” again and again is what people mean they talk about “writing.” You don’t really have to begin each and every single story with a dark and stormy night. (Although curiously, every movie you make in film school will take place at night.) You may want to try just beginning your story in the middle and then figuring out what the best beginning would be, since this is what you’ll end up doing when you reach my age. Oh, and when Lisa B. makes fun of your laugh, don’t listen to her. She’s a hater. What’s a “hater”? It’s a word everyone will use in 2009. You can start now.

You’re also going to have a dream that you’ll remember for the rest of your life, one where you come to school with a box of donuts and no one wants them for some reason and you’ll wake up crying because you can’t give away your donuts. You’re going to spend a lot of time unlocking the message of this dream, which is basically deep down you worry that what you have to offer isn’t valuable to someone. The key is that what’s valuable is not just what’s in the box, but in the act of giving, so give even when you think no one out there is that interested.

Oh, and chasing your newest sister around the kitchen while screaming like a maniac at the top of your lungs and waving around a plastic sandbox shovel because she pissed you off? Don’t do that, either. She’s going to bug you about it for years.

xo k.

Dear 10-Year-Old Me,

This is going to be the weirdest age for you, because deep down you will not understand why half of your friends like boys, who are still mostly stupid and gross except for two main exceptions, who sit in two rows over from you, next to one another. Everyone will be preoccupied with boobs, which you don’t have yet. You’ll have very tumultuous friendships with neighborhood girls, which you’ll be bewildered by. Let’s begin with these, since you’ll spend a perplexing amount of time thinking about these. First, the neighbor girl who called you ugly: she’s a crazy Jesus-freak fundamentalist, and anyone who keeps wearing the same damn tube socks over and over again is kind of a freak. (Seeing those tube socks on girls in ads for a stupid company called American Apparel in the future will make you think of her and shudder.) Second, the other neighbor girl who you’ll get into a huge fight with and never speak to again: she’s actually a nice girl and you’ll miss her long after both of you have moved on, so don’t burn your bridges. One day you’ll realize how weird it is that every girl at this age fixated on one another’s looks, and maybe you’ll wonder if this appearance-obsession is something that women inflict upon themselves and give straight men permission to buy into.

Here’s the thing you should know: people are changing so fast, trying things out, and many pals are situational. You were strangely independent and self-sufficient up till now, so the best thing you can do now is to make a little island in yourself and put everything you love and value on it and let it ride out the hurricane of pubescence. Pack your psychological suitcase carefully, set it out on a boat and meet it in five years when you land on the Island of It’s Going to be Okay at age 15.

The great thing is that you’ll start writing stories because Mr. D. encouraged you. You’ll start writing about spaceships and the future and exotic countries and witches and outlandish, imaginative, fantastical things. You’ll start reading books by Robin McKinley about heroic, dragon-slaying girls. You’ll read Choose Your Own Adventure, which will change your life, and Sweet Valley High, which will not. Remember this, because you’ll go through a phase where you feel like all the deep people write about relationships and post-modernity and semi-traumatic sex. And that’s what works for them. But when you start really digging into massive writing projects that demand sustained effort, discipline and a level of commitment that exceeds most modern-day romantic liaisons — well, you need to remember what it is about writing and stories that made you love them in the first place. And how your writing will, in some way, honor that.

Also: don’t throw out your Madonna memorabilia. Or let your mom throw it away.

Ages 10-14 are going to suck hard. Sorry.

Oh, and when B. in fifth grade tells you that “horny” means someone who reads a lot of Playboy, he has it only halfway right.

xo k.

(more…)

This Week’s Reading: Julian Assange/WikiLeaks, Netflix, Sofia Coppola, Miwa Matreyek

I am trying to be a bit more selective and thoughtful about the glut of web content and articles that I used to inhale. So I’m going to try to keep up a list of selected, particularly interesting online reading that I’m doing, complete with some commentary and thought that it inspired in me. This week:

No Secrets: Julian Assange’s mission for total transparency (The New Yorker)

A great article that gives an interesting, human sense of WikiLeaks and the man who essentially ran it. Quelle character, as they say, but what I liked about the piece was how it articulated in a clean way my basic view on Assange/Wikileaks. I definitely believe in transparency in government and freedom of speech, and I do get a very ill feeling about how the government will handle Assange’s arrest (and I presume, his trial and imprisonment.) But any organization with power but without any accountability in place should give anyone pause.

No Longer Tiny, Netflix Gets Respect—and Creates Fear: As Rivals Look to Counter Its Online Movie-Streaming Service, Hollywood Cautiously Cuts Deals to Provide Some Content (WSJ)

I do a ton of writing now in my ‘professional writing life’ about new technology, especially on the rise of online streaming and Internet TV. Lately I’ve been working on a spate of articles about Netflix and its rise as a digital distributor. In a nutshell, Hollywood is shitting its pants that it’s going to go the way of the music industry, and is grappling with how to leverage their content without losing their profits. My feelings about the film industry are complex. A key moment in film school for me was listening to a talk given by a major programmer of two very major U.S. film festivals and hearing him admit that no one in the industry had any idea how the current model of industrial filmmaking would be able to sustain itself. When he admitted that, I immediately thought in my head, “Why do I want to be part of this sinking ship then?” I’m still grappling with that question. The film and television industry as we know it are such huge media conglomerates that they really don’t have the agility to change in a rapidly transforming media landscape. I watch movies way more on my laptop than on the big screen. I’d rather watch television on demand and on my laptop. The rise of Netflix interests me because online streaming is one avenue that is growing exponentially and will expand as fast as wireless networks can keep up. I predict in a few years that a film will be able to raise funds for production by pre-selling digital distribution rights to an entity like Hulu or Netflix first — that’s how powerful I think they’ll become in the future. Indie filmmakers should take note.

It’s What She Knows: The Luxe Life (New York Times)

Sometimes I think Sofia Coppola’s films interest me less than the discourse that surrounds them. I think there’s something sexist about the way she’s often criticized for her elegant, stylish movies — no one really harangues Woody Allen (in his early days), Wes Anderson, or her ex-husband Spike Jonze for making similar-feeling films throughout their careers. At the same time, what’s beautiful about her films — the hermetic feel of fashion photography’s influence, the music — is often their limitation, and the rarefied air of privilege in them does get a little claustrophobic, for me at least. I think there’s something to explore, however, if you think about Coppola’s film within gendered notions of spectatorship. There’s something in her films that captures the wistfulness, longing and desire of a type of feminine looking — the same type of looking that permeates the fashion blogosphere and all of Polyvore, this desire to occupy the same place and space within a beautiful image. It’s not an objectification, because I think the viewer wants to close the space between (her)self and the image. Maybe most dudes just don’t get that kind of aspirational viewing?

Miwa Matreyek’s glorious visions (TED)

Okay, so this wasn’t reading…but I still thought this was a lovely, imaginative video.

What I Think About When Someone Tells Me I Shouldn’t Waste My Time Writing About Teenage Skater Werewolves

Overheard between two undergrads at the Hungarian Pastry Shop a few months ago. You have to imagine it in that super-serious, playing-at-world-weary voice that only certain coeds in NYC can have:

“Why would I want to write a book about real life? The only really juicy thing about my real life are my exes, and I’m so over them, even though they’re semi-famous. And Gogol already stole my title.”

“What’s that?”

Dead Souls.”

Needless to say, I was chuckling over my laptop when I overheard this. If anyone asks why I like to write fantasy and genre, I will just tell them that Gogol stole the title to my real novel based on my real life and it’s just impossible now. That Gogol, such a jerk!

I really wonder who her exes were, though…

So You Want to Write a Novel

Ah, this made me laugh so much. The thing is, the brown bear pretty much gives an accurate rundown of the publishing industry wisdom on the subject. Gurus are found in strange places, friends.

This is the perfect record for the last quarter of my novel

Warpaint, The Fool. Satisfies the art-punk imperative as well as beautiful, spooky, witchy sounds.

Other Soundtracks for Novel Writing

These songs are for the skater-centric scenes in my book. In addition to the ones I mentioned over at today’s Snapshot at NOGOODFORME.COM:

Guns N’ Roses, “Welcome to the Jungle.” It’s about the perfect time in my novel for Guns N’ Roses. I remember every dude I knew really dug this when it came out.

HEALTH, “Die Slow” (ok, not exactly of the time, but of the spirit)

Public Enemy, “Bring the Noise.” I remember one cute skater I knew really loved this tape when it came out. I heard it for the first time through him back in the day.

Nitzer Ebb, “Hearts and Mind”

And just for history’s sake and in honor of the skater I had a crush on in eighth grade who wore an INXS t-shirt all the time: “Need You Tonight”

Soundtrack To The First Kiss In My Novel

Sonic Youth, “Shadow of A Doubt”

I like how it looks like video art. And, just for good times’ sake, “Candle”:

And “Dirty Boots.” My favorite moment is when the kinda meatheaded guy rolls his eyes:

Something about late 80s/early 90s Sonic Youth feels like how I want my book to feel.

Sigh/Cry: “I Don’t Have Any Time to Write Anymore!” And How I Got There

Wah. Progress on my novel has slowed to a crawl, and I’ve reached the point where I’m lucky to get in even one paragraph a day on it. I miss my teenager skater werewolves so much, and yet it’s become so hard to find the time to write them into existence. “Finding the time” is such a bane in a writer’s existence, especially writers who are trying to cram in their work amidst a million other things like, oh, earning money to live. My complaint is not in any way new or original.

The thing is, it’s entirely my fault my life is structured in such a way as to make it hard to write. Time management is an active process that’s much more than setting priorities and finding the time to do them–you have to look at your life and take some responsibility for how crazy your schedule has become, and then find ways to keep the problem from happening in the first place. When I take a hard look at my schedule and ask myself “How did this happen to me?”, this is really the answer:

+ I’M A PROJECT SLUT
I always have way too many projects happening. Part of this is the nature of the film business, where you keep a lot of things juggling till something catches fire. Between my style/pop culture blog, the web series (should start editing it now), the novel, my new freelance “professional blogging” gig, my own little film experiments, the websites I design, my web consulting–I’m just spread too thin. I need to learn the value of focus, or else nothing in my life is going to get done.

+ I SAY “YES” WAY TOO MUCH
To everything! To projects (see above), going out, last-minute road trips, secret sample sales, concerts, free movies, impromptu drinks! Part of it is joie de vivre and living life and NYC, but I need to say more “NO”!

+ MY SCHEDULE IS TOO ERRATIC
Outside of having to blog for a gig in the morning, there isn’t much else structure in my week or day. In some ways, I love this freedom, but in other ways, I find myself accommodating to other schedules too often, simply because I can. I need to carve out some hard-and-fast inviolable time for myself, where my energy and attention are optimal, instead fitting things around priorities that others set for me.

Right now I’m looking at getting up earlier to write (before I have to buckle down and get to my freelance writing gig, which is very time-sensitive). It’s the only alternative, because by the time I get to the end of the day, I’m too fried to write very well. Wish me luck!

Show and Tell: Video Collage, Rockaway Beach, July 2010

So this past July I went to Rockaway Beach in Queens, which I had never been to before. The waves are crazy, it’s easy to get thrashed in the surf, and the sand goes for miles. It’s surprisingly “undeveloped” in terms of auxiliary businesses, and all that beach gives everyone lots of room. It’s a very relaxing experience, so different from the eccentricity of Coney Island. (Although no Nathan’s Hot Dogs!) I brought along my Kodak Zi8 and shot lots of bits of footage. I like the collage format…you can see the progression of the day lined up on the page, even just from the increasingly duskiness of the blue sky. This summer’s been great for all the beach time so far; I’m hoping to be able to capture a few more before the summer ends.




Accessories for novel writing

I’m working up a storm on my hot teenage skater werewolves novel! Having a serious jones for office supplies as well as worship-worthy writers, I’ve always been interested in the tools that writers used in their work. (I remember reading Colette’s descriptions of her pens and just being so excited when I found some matching her description in Paris.) I think there’s something so personal and idiosyncratic about what writers use to make their work. Anyway, here is what I’m using for my little story:

Accessories for novel writing

1. Laptop
2. Muji notebooks, one for each 25% is what I’m calculating
3. A well-worn treatment with the entire plot of what I’m planning (which has already changed lots in the course of writing it so far!)
4. A playlist of songs from 1987
5. Starbucks beverage

Basically my routine is: I handwrite my story in my Muji notebook while listening to music and sipping my iced green tea, and then every week I transcribe what I wrote into a document on my laptop, using 11 pt. Palatino font. Transcribing’s such a pain! And yet there’s something about the act of writing by hand that makes it feel like writing, not work. Plus, I get to write into a beautifully plain Muji notebook with a Muji pen, because I heart Muji so much! I love Muji because it feels very utilitarian and humble, and yet there’s a strange beauty to its utter normality. I once got a Moleskine and felt too obligated to write amazing, deep things, which was just too much pressure. Muji notebooks give me a nice balance between humility (so I feel free to mess up and write something stupid) and something kind of elevated (its Muji-ness.) What do all of you use when you write? I am so curious!

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