Congratulations! After all those personal statements, interviews, recommendations and a generalized state of anxiety/expectation, you’re probably feeling pretty good about life. You should revel in that feeling! Enjoy it, embrace it and, please, try to at least remember a little about this moment: that flush of excitement, that delicious feeling of being chosen and, yes, a little validated. Please bookmark this post, and when you’re done celebrating, come back here for a little straight talk. Because while you’re probably like, “Um, Kat, why? I already know I’m gonna go!”, I’m here to say, “Sure, but let’s be sure you know
I do remember this time many years ago, when I was anxiously awaiting for my letters of acceptance from the MFA programs I applied to. I had that sense of my life trajectory hinging upon it, the course of my existence waiting for this great, giant, neon sign. Do I go back to the East Coast? Do I stay in San Francisco and find a new path for myself? Ironically, waiting to find out if I was going to get a master’s in filmmaking made me feel as if I were in the middle of my own life-movie, and I
Wowza! I’ve gotten a spike of visitors to my site looking for MFA application advice and information, particularly at this general tips/tricks/how-tos post on program applications. In that post, I put a huge emphasis on the personal statement/biography. (Like, with ALL CAPS.) So I thought I’d follow up on my BOLDLY EMPHATIC statement and expand on the importance of the personal statement, as well as offer some general advice on this part that should be relevant, no matter what the MFA program you’re applying to — and should make your personal statement be absolutely compelling. (Just in case, here’s everything
I’m getting a lot of hits to my site lately about MFA programs and applying to film schools in general, so this post is really meant for these curious peeps. I’ve written about this before, mostly on the question of whether or not a film MFA is right for you. Just for your handy-dandy convenience, here they are in one splendidly convenient place: getting a mfa: yay or nay, pro vs. con, yes or no advice that i wish someone gave me after getting my mfa going from movies to novels, i.e. was film school a big waste of time?