Ravishing Visual Beauty

Muses: Susie Bick, Nick Cave & Dominique Issermann

One lovely thing about muses and inspiration is how one can lead to another, and then another, and then here and there — and suddenly you’ve found yourself in a wondrous new place, a constellation of beauty and imagination. So this particular Sparks entry is that, a little map of a mental wonderland.

It begins, as many things do, with Nick Cave. He put out a new record recently, Push the Sky Away, which is one of his delicate, elegant records. Some Bad Seeds faithful complain it sounds more like a Dirty Three record, and I guess that makes sense, since Dirty Three violinist Warren Ellis has essentially replaced Mick Harvey. But I love it; I think it’s beautiful. And so the imais its cover:

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As it turns out, the photo was shot at Nick Cave’s house in Brighton, and the naked woman is his wife, model Susie Bick.

This fascinated me to no end, because imagining Nick Cave as a husband and father is so weird. He’s one of those rock stars that I admire and think oddly attractive, but I’ve rarely ever really fancied him. (I was always one for Blixa Bargeld, however.) The fact that he’s married with a wife and two kids just blows my mind. I became slightly obsessed with Nick and Susie as a couple, digging up pictures of them together:

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(Although for me, Nick and PJ Harvey are sort of the ultimate couple still:

The way he looks at her! So beautiful.) (more…)

Like Ghosts, Underwater

Sometimes you see images and they feel like your dreams. There is an instant psychic recognition, like subterranean harmonies coming to surface in your waking life. Something of your nighttime landscape echoes in the daylit world, and the convergence feels like discovering continents within yourself and out in the world. It feels honestly like magic.

That’s how I felt the moment I laid eyes on Erin Mulvehill’s photographs. Sadly, I don’t remember where I stumbled across them or how — too many travels on the Internet will blur the routes behind you. But I immediately fell in love with her “Underwater” series, and then with the rest of her vision. Her images are beautiful, spectral, dreamlike, with a lovely calm and melancholy — I wanted to share more with you than just a tweet and a link to her work. She says she is influenced by Buddhism and time — maybe that’s what resonates with me, raised Buddhist and being something of a time philosopher myself. Anyway: please see much more of her work at her gorgeous site. Her pictures will make you feel oceans inside you.

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On a Sense of Occasion

20121202-221532.jpgThis past weekend, my sister and I took our six-year-old niece to see “The Nutcracker” at our local theatre, a lovely, ornate building rich in warm golden light, beautifully carved wood trims and sparkling light fixtures. It was an all-around beautiful occasion on so many levels — a charming ballet with spritely dancing and gorgeous costumes, a cultural event in a gorgeous setting and a fun family occasion for niece-auntie bonding. (You know how into being an aunt I am.) It was worth it just to hear my niece gasp, “Oh my god, it’s so bee-yoo-tee-full!” when the curtain went up on the Land of Sweets in Act 2. Introducing a child to beauty is one of my favorite things ever. (Also: decided Tchaikovsky’s score is some of my most favorite holiday music ever!)

But what was most fun was going to the ballet and seeing how mostly everyone else was all dressed up in their holiday best: lots of lovely velvet dresses, sharp suits, glittering jewelry, spandy-nice shoes. Nearly everyone was in alignment with the setting and occasion by way of their dressing up. My niece had worn a red polka dot dress and cute dress shoes; my sister wore a pretty sweater dress; I wore a dark blue chiffon dress with lovely pleating and beading at the bodice that makes me feel vaguely like a Henry James character. The minor agony of getting ready was deciding which of my “joyous clothes” would come out that night, a flurry of my prettiest frocks piling up on the bed.

20121202-221439.jpgSo often I think dressing up is as much fun as the event itself — maybe even more than the occasion itself. (I submit high school prom as an example of this. I don’t even remember where we went out to eat for my senior prom, but I do remember my dress!) Going to the ballet reminded me of one of fashion’s primal powers: it marks the joyful rites of life, it helps us contribute some visual beauty to the world, and it also helps us feel part of the occasion and the larger world itself. And it makes life so much more fun.

I did have more opportunities when I lived in NYC for dressing up; after my friends and the art, dressing up constantly may be what I miss the most about life in the city. After this weekend, I made a note to self: I need more occasions in my life. I already have the dresses waiting in my closet, like showgirls lounging in the dressing room, waiting to take the stage.

Fairy Tales That Glitter Like Snow and Ice

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One of the pleasures of coming back from a trip to NYC in November was having a slew of fashion catalogs waiting for me in the mail. I secretly love catalogs, even beyond the clothes featured themselves — besides nerd reasons, like being interesting in how companies market and brand themselves, I love when they take great care in making them as beautiful as possible, obviously. I don’t own a lot of Free People clothes (though the few things I do have from them, I love.) But it’s always a pleasure to get their catalog — they do a great one. And their holiday one this year is a lovely stunner which hits directly at my love of rich Snow Queen aesthetics. Inspired by classic fairy tales, it features lots of ornate, cozy-looking clothes as well as glittering, sparkling holiday party frocks, like the dress below, which is both Baroque and very 90s at once to me. I want to dress like a winter holiday all the time!

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I also need to rethink winter cream-on-cream. And horses: the ultimate Snow Queen accessory!

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And how much do I love these gentle-looking, romantic blouses? I would wear them very simply, with just some jeans and some boots, because deep down, I know I am a lazy Snow Queen wannabe.

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Bring Me to Wonderland With These Beautiful Photographs

Lately I’ve been thinking about the history of my eye. Not my physical eyeball, which would be a sad tale of a progressive descent into blindness. And not a Georges Batailles-like surreal exploration of sexuality, either, a la The Story of An Eye! (Eek!) No, more about what I find visually appealing, and where my tastes and sensibilities are rooted in.

Far as I can tell, there’s a few strands I find particularly appealing: a very 90s, grunge-influenced aesthetic that prized a kind of riveting authenticity above prettiness; rhapsodic, almost abstract nature images, a la Terrence Malick; French New Wave and 1930s Hollywood films; and finally, a kind of whimsical, fantastical tableaux, where images are dreamy, influenced by fashion and fantasy, but with a twist of darkness, melancholy, or general teen angst moodiness. Maybe like if Sofia Coppola directed “Twilight.” (Not as outlandish as you’d think — she was in consideration for the directing job for the sequels.)

Considering this last strain, I recently came across these photographs by D.C.-based photographer Cade Martin (via Maria Popova’s Brainpickings site) and kind of went into mad-crush mode on them. Part of a series of images featuring dancers of the Washington Ballet, they’re in the whimsy-fantasy mode that I like so much, and remind me a bit of Tim Walker’s photography (which, if you know me from nogoodforme.com, you know I love.)

I love the fairytale-like feel in this work, but I also love its stripped-down elegance — so many fantasy images can feel so stuffy and overstyled, but these are decidedly not, picking up their airy, slightly uncanny feel from how they’re lit and framed. (I like it when a work has air to breathe, you know?)

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