Posts Tagged ‘NYC’

Feminist Performance Art for Teenagers, Apps for Creative Spirits & My Monthly Mixtape

Ah, yes, the inspiration/round-up post of this week’s sparks, as I call them: things that got me thinking, feeling, thinking again and sometimes dreaming and scheming. Suggestions? What’s got your interest lately? Please let me know in comments below!

Please Let Carrie Bradshaw Go to CBGBs

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I’ve written before about my odd fandom for “The Carrie Diaries,” its mix of 80s NYC nostalgia and its refashioning of Carrie Bradshaw as a wide-eyed innocent. It’s a standard issue CW/Josh Schwartz kind of show, but one thing I’m really enjoying are the references to NYC hotspots at the time: Indochine, Mudd Club, all of those mythic venues you read about in social histories of the city. Last week’s episode featured a central scene where Carrie and her good friend Mouse get into real-life storied avant-garde performance space Franklin Furnace and are confronted with feminist performance art! (Basically: a fictional porn star sits on a throne at a gallery, people put money in a jar and she flashes them her hoo-ha. Very Karen Finley-like.)

First: I think it’s just rad that feminist performance art has made it into a mainstream American TV show. I was also amused by the mild satirizing/earnest shoutout of sex-positive “reclaiming your vagina” discourse — as well as a knowing wink to the original SATC show. There’s an odd pleasure in seeing how this show on this very commercial network refracts gritty NYC downtown history — seeing what it elides, distorts and glosses over, but also what it cheers and bestows its affection upon. I’d be happy if Carrie got to CBGBs or Max’s Kansas City, but now it’s kind of my dream that the show makes it into the early 90s and there’s a shoutout to riot grrrl somewhere. Please, someone at the CW, make this happen! You can option my screenplay about 90s zine girls if you want!

I Heart These Apps

I write about technology as a day-job, but it’s taken me forever to get an iPhone, due to my own contrarian nature, my personal laziness and general rather-spend-my-money-on-other-thingsness. But now I have one, and use apps all the time. I review apps for my day job, but I don’t often get to write about them from my personal perspective of a creative lady writer and artist — nor do I get to write about them in my personal voice. But this is my blog, and I can say what I want and how I want! Which is: I’m proud to hype up some apps I’ve found particularly useful and creative-sparking. My favorites right now include WorkFlowy, which is essentially a giant list-making app. It sounds nightmarish but it is not: it’s very simple and elegant and it has made a big difference in organizing my time and things-to-do in such a way that I spend a lot less time doing these things — so I can spend more time actually making work.

Also: in the interest of streamlining digital clutter, I discovered Feedly, which ports my RSS reader to my iPhone. And for fun, Hello Kitty Mahjong wiles away minutes spend otherwise standing in lines that don’t move at various places and times. It is super cute. If you have other apps you use, iPhone brethren, please let me know — I am always interested to know what people use and how.

Monthly Mixtape: Surprisingly Energetic for a Cold January

Usually in January I hunker down with music and treat it more like a security blanket, swaddling my spirit in familiarity and comfort. Maybe it is the sense of possibility that January can have, but this particular month I actually felt myself much more open to new sounds. So here they are, some old, some new, some rediscoveries.

Here is the track listing below:

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On Being a Semi-Retired Libertine

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The pleasure of talking with old friends is how they remind you of crazy things you’ve done in the past. Sneaking backstage, making out with abandon, champagne nights and next-day brunches wearing sunglasses and a disheveled vibe: stories like these dot the past like rhinestones from a broken bracelet, crushd on a nightclub floor.

But not anymore. Don’t get me wrong: I love my life now. But sometimes the Stooges’ Fun House pops up on my iPod or I look at my old studded boots or my crazy party dresses in my closet, getting antsy as they wait to retake the stage. Or I uncover a whole sheaf of tickets, old matchbooks, flyers, an old all-access/VIP badge — the mementos of a rock ‘n roll-tinged life. And I miss those nocturnal adventures, the sense of openness and fun that comes from living from your wits, improvising fly-by-night.

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I guess I’ve been thinking about my wild nights lately because of the noise surrounding the 10th anniversary of Interpol’s Turn on the Bright Lights. The record itself wasn’t anthemic for me, but Interpol (and other bands of that time, like the Walkmen, Calla, the Strokes, etc.) came up in New York at the same time I arrived in the city — we are, so to speak, of the same micro-generation. I remember seeing them at mod nights in the late 90s, at Don Hill’s Britpop night, at Bar 13 on Sunday night — the crown jewel of my week back then, when I saved up my money for drinks and saved up my best clothes for stomping around to Northern soul classics with skinny boys in skinny suits and ties.

It’s a weird thing, then, to hear your improvident youth — stomping grounds, bold-faced names you used to catch when reading the listings in Paper — memorialized in an “oral history” of the band and the record. Like looking at all those memories through the end of a telescope, and when you pull away, you realize that time in your life is a land even more distant than you realized. The boat is pulling away from the harbor, not coming in.

Of course, I moved away from NYC, and even if I wanted to live a rock ‘n roll life in the small Midwestern town I live in now, it’d be hard to come by unless I wanted to spend all my time in semi-crappy bars, the dim light disguising papery-leathery skin and a bleary-eyed existential fatigue. There’s always going to be a remnant of my old raucous glam punk self that judges such virtue and good, clean living as boring, I guess — but hopefully she’s in the twilight of the past, turning on her own bright lights somewhere.

3.

I’ve been thinking about 2013 and what I want to create, filling in my little planner for the next year and evaluating this one. And one of the strands that’s been intriguing me is how to carry on the libertine spirit while still being a wised-up grown-up. I don’t want to be unimaginative and ape the past, because that’s uncreative. And I don’t want to mistake the trappings for the core of the teaching.

Underneath the champagne, the late nights and the decadence, the spirit of the libertine is someone connected to joie de vivre, someone with a mainline to pleasure. The libertine isn’t just a good-time girl: she’s keen on fun, on soaking all her senses with the most beautiful sensations and sights possible. She trusts the wisdom of bodies and questions the received knowledge of the world that surrounds her, a rebel of pleasure in a world full of puritans. Both liberation and libertine share the same root: a desire for wide-open freedom and the space to move and create within it. You don’t need a bar, or shows, or even a cocktail for this state of mind — just a trust in the sensuality of experience, an imagination and a love of freedom.

I guess I’m looking for ways to keep my champagne spirits intact, even as what I find pleasurable shifts away from the traditionally hedonistic and the booze-soaked. (Though, don’t get me wrong — I still love myself a fine drink.) I take pleasure now in how I can make basil thrive in my kitchen window; I find pleasure in the peculiar high I get from the 3-kilometer mark when I run a 5K; I like that when I kiss a boy now, I know I’ll be kissing him for a long time. How do libertines grow up? How can you keep connected to pleasure and mischievous adventure, and still live a life full of love, riches, and other wonderful things? I’m thinking in 2013 I’d like to find out…

(My favorite record by Interpol will actually always be Antics, just like my favorite from the Strokes will always be Room on Fire. Here’s “Slow Hands.”)

A Patchwork of November

Funny how this month has raced by, propelling us to the end of 2012! It’s been a full November, complete with furious novel scribbling and a trip to my former stomping grounds in NYC and the Thanksgiving holiday. I’m paralyzed by the need to write something cohesive, something that’ll unfurl in clean sheets of insight and beauty. But that would mean I wouldn’t publish until 2013. (Isn’t that weird to see “2013″?) So instead, I’ll just go for broke with an “everything but the kitchen sink” kind of entry.

NYC Still Has a Secret Chamber of My Heart

It is strange to visit a place that you used to live and is such a big part of your heart and personal iconography. Being back in NYC was a lovely, strange, wonderful experience. You know those friendships where you don’t speak for years, but when you do, you pick up right where you left off, with the same level of bubbling enthusiasm and infectious affection between you? That is now me and NYC: she’s kind of like my glamorous, high-maintenance girlfriend, stomping about the city in stiletto and cool jackets and buzzing about the latest this-or-that.

I did some new fun things — checked out the Picasso exhibition at the Guggenheim, ate at lots of little Brooklyn Heights restaurants where we were staying. (Eat at Siggy’s, y’all, it’s cramped inside but delicious.) NYC is often a constant search of newness and novelty — and there is always something new to discover. But I think there is something in my character evolving, a more deliberate movement between stimulation and solitude. I find myself wanting to carve out cave time to retreat and absorb more often, to sort through new ideas and sights and sounds and experiences — and the proportion between adventure-time and cave-time is changing, more in favor of cave-time. I think it’s partly getting older, partly from the fast-paced nature of my work. And so it goes — and so, realizing this, I’ve made peace with the fact that I’m just a visitor to the city now, not a resident. Though I’m secretly pleased when people stop me and ask for directions like a local — and that I still know them.

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(The view from where I was staying in Brooklyn. Nice, right?)

Style on the Mind

This brings me, somewhat relatedly, to the next random semi-scattered thought on my mind lately: style. True confessions: I think about style, and “my style,” and just style as a form of culture and sociology more often than I’d like to admit. But it was something I thought about in NYC. I saved up a lot of my shopping juju (“juju” being my word for energy and resources, i.e. money) for the city, but found nothing I wanted to invest in. I bought some knickers and leggings at Uniqlo, perused the little shops like In God We Trust that I love, and bought cool British magazines at the McNally bookstore. (The pic above shows my NYC loot.) But nothing major drew me in enough to part me from my money. In NYC! At In God We Trust and Pixie Market and A.P.C.! What is going on with me?

A few things, I guess: an obvious one is that most everything I saw in NYC is available online or somewhere in Chicago — with the Internet and globalization, there is very little left of “local,” for better or for worse. This is compressing a very interesting topic, but street style is very similar in every major capital I’ve been too, with perhaps subtle variations. A cool hip chick in the middle of the Midwest looks very similar to the cool hip chick in L.A. or NYC, honestly, with exceptions for seasonal adaptations. So the very fact of being in NYC wasn’t enough of a compelling reason to shop and buy anything — I knew I could find something similar, or cheaper, or even the same, somewhere else.

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Favorite Things: Sjobeck, Madewell’s Fall Lookbook, And MUSIC + CANDY + MUSIC

Just a few frivolities that have caught my eye and captivated my heart lately. Fashion! Music! Food! I feel like a teenager again! Maybe it’s the upcoming summer season, but I am in an expansive, fun, open mood these days.

Sjobeck

Sjobeck is a Malibu-based label. I first fell in love with those lovely printed silk pants. I struggle with the idea of printed, loose pants because they remind me of those mean older quasi-hippie ladies at Bay Area farmers’ markets with the carts and the food judginess and the arch voices, but these look so beautifully cut and chic. I did a little digging and fell kind of in love with their beautiful blend of California ease with Scandi-like arty prints and cuts.

Madewell’s Fall 2013 Lookbook

Sometimes I am more interested in retailers’ lookbooks vs. designer ones because retailers know they have to sell clothes and have an interest in making fashion actually wearable yet dynamic. I love Madewell‘s lookbook because this is how so many girls I know dress — it’s happy, cheerful but not obnoxious, kind of preppy but off-beat.

Those M&M Pretzel Candies

I wish I could be more fancy about food, but other than champagne and an enduring love of oysters and mussels, I’m kind of a proletariot when it comes to food. (Though last night at dinner I had fancier things like a peach nectar cocktail, scallops with mango-carrot reduction, a gourmet cheese plate and wild salmon with cucumber noodles and mint — all so delicious!) But generally, I’m really content with stuff like macaroni and cheese, guacamole and really yummy summer salads. And candy! I am usually not a sweets person, but these are my new favorites. They hit that crunchy-salty-sweet nexus so well. I really need to control myself around them, they are seriously addictive.

Records: Santigold, Beach House, The Walkmen

These are all my current late-spring jams! Nothing too leftfield, mostly stuff from established indie acts that I have long loved, and my usual quotient of sassy lady music. It’s funny, I’m usually the first person to be like, “Rawr! Noise! Aggression!” But lately I like a more easygoing, comfortable relationship with music. I usually get more adventurous in the fall, but for now I’ll stick with my well-beloved favorites.

Santigold, The Riot's Gone

It took me awhile to get into this record, but I’m glad I stuck it out. It’s a bit more subtle than her debut, but there’s more emotional depth. This is one of my favorite tracks, elegiac and anthemic all at once — it makes me want to do something epic with my existence.

Beach House, Lazuli

I got early on the Beach House train, and have always loved their dreamy, lovely sound. This record feels a lot more clear and strong to me, but there’s no sacrifice of mystique — it’s still the sound of ocean air at night, chandeliers sparkling like champagne, the scent of perfume still lingering in bedsheets at dusk.

The Walkmen, Heaven

I feel like the Walkmen and I are odd compatriots, mostly because we’re of the same age and same NYC generation. I still have memories of seeing Jonathan Fire Eater, their earlier carnation, way back in the day. I was semi-annoyed with the Walkmen at the beginning of their career, but as they’ve gone further along, I like their records more and more. I love that they have evolved into these sort of elegant gentlemen of indie rock, sharp suits slightly rumpled but still well-worn.

My closet, myself

20120502-104225.jpgSome people come to moments of decision and shifts in consciousness after near-death experiences or piercing experiences of beauty. Me, I decided to change my life after cleaning out my closet one summer four years ago. Not as picturesque or cinematic as I’d like life to be, I admit, but everything good happening in my life right now has its roots in deciding to clean out my overstuffed, overflowing Manhattan closet.

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I’m embarrassed to say how long it took me to clean it out, because, after all, it wasn’t a very big closet. Plus, it was the only closet I had. Yet I had failed to tend to it during my first three relentlessly grueling years of grad school. I let things pile up, stuffed clothes in nooks and crannies, stored luggage within luggage, and generally crammed with everything that didn’t quite fit in my life, on my body, or with my identity into the space. It was just a mess, one I barely paid attention to because I was too busy paying attention to other things.

But then those other things became less pressing. Classes ended in my program, and so did the intensively focused work pace. The semester ended in May, and through most of June I slept deeply. I went home for a long vacation, where I slept some more. It was the life equivalent of a deep, deep breath. When I came back to New York in July, I walked into my apartment, opened the door of my closet to put my luggage away and realized, Wow, I should really clean this up. This is a freaking mess.

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Being ever the optimist, I thought cleaning out my closet would take hours, maybe a long afternoon. It didn’t. It took weeks. Embarrassing, but true. It wasn’t even that I had a hoarder’s store of things, since my closet was pretty tiny, after all. It took so long because I was constantly paralyzed throughout the whole process. I started with putting things into the piles that everyone tells you to make when sorting out clothes: Keep, Discard, Fix. But I found that sorting itself was an agonizing process. I would pick up something, stare at it for a moment, get sucked into a vortex of reverie and, lo and behold, ten minutes passed. What do I keep? Why do I want to keep it? Do I want to get rid of it? Can’t this work for me still? How can I get this to work? I just didn’t know sometimes. It was agonizing. I started on a warm July afternoon, and by the time midnight rolled around, I was still freaking sorting.

What was going on here? I felt like a crazy person. I felt like my possessions had possessed me, and not the other way around. I looked down at the Discard pile at my feet — at clothes that didn’t fit me, that didn’t work for me for one reason or another — and I realized I had moved these items many, many times over, bouncing them between Keep, Fix and Discard. Why was this so hard?

I picked up the items in the Discard pile. There wasn’t a lot, but what was there was quite nice. They were things that felt slightly insane to let go of. Things I had spent money on. Things that I had bought for certain dream scenarios. Things that were just beautiful and lovely in their own right, that I found pleasurable to look at and touch. I picked up a beautiful Ann Demeulemeester dress I had a hard time placing in the Discard pile: it had been particularly to let go of. It was a red silk dress, really lovely to behold and yet I never wore it. Why? It was gorgeous. My fingers lingering over the fine material’s softness, admiring the rich hue, the lovely drape — I was so tempted, once again, to place it back into the Keep pile. But then I stopped myself because suddenly — in a flash — I finally realized I was holding much more than an Ann Demeulemeester dress.

I was holding guilt.

I looked at the Discard pile, and it was like I was suddenly staring at the physical embodiment of guilt. Of shame, of waste, of failed or foolish dreams, of self-delusions. Of projects or resolutions or whims I never followed through on. No wonder it took forever. Try handling the physical embodiment of a few years’ worth of unexamined life and see if you can do it within three hours.

I could’ve just stuffed everything back, stuffed it all in a trash bag or back in my closet. Instead, something in me twisted and clicked: I swore to myself that I would never get into this situation again, one where I was paralyzed by my possessions. I swore that even if I got rid of everything in my Discard pile, I’d recoup its value in self-knowledge and enlightenment. It wouldn’t be just a bunch of stuff I’d try to resell or get rid of, only to fall into the same patterns that got me into the mess to begin with. I was going to fucking learn something from this.

And so I did. Little did I know, I would embark on a much larger inquiry, not only into the usual avenues of style and fashion, but one that touched on where I wanted to be in life, how I wanted to live, what kind of person I had been and wanted to be — and what I wanted to become. And those conversations led to other, connected conversations about money, about love, about all the things flourishing in my life right now. My life has radically changed from that summer after grad school, and it began when I opened my closet.